Excerpts from

The Book of the Courtier

by Baldassare Castiglione

I,1: …You ask me then to write what is to my thinking the form of Courtiership most befitting a gentleman who lives at the court of princes, by which he may have the ability and knowledge perfectly to serve them in every reasonable thing, winning from them favour, and praise from other men; in short, what manner of man he ought to be who may deserve to be called a perfect Courtier without flaw….

[Count Ludovico da Canossa] I, 14: I wish , then, that this Courtier of ours should be nobly born and of gentle race; because it is far less unseemly for one of ignoble birth to fail in worthy deeds, than for one of noble birth, who, if he strays from the path of his predecessors, stains his family name, and not only fails to achieve but loses what has been achieved already; for noble birth is like a bright lamp that manifest and makes visible good and evil deeds, and kindles and stimulates virtue both by fear of shame and by hope of praise. And since this splendour of nobility does not illumine the deeds of the humbly born, they lack that stimulus and fear of shame, nor do they feel any obligation to advance beyond what their predecessors have dine; while to the nobly born it seems a reproach not to reach at least the goal set them by their ancestors. And thus it nearly always happens that both in the profession of arms and in other worthy pursuits the most famous men have been of noble birth, because nature has implanted in everything that hidden seed which gives a certain force and quality of its own essence to all things that are derived from it, and makes them like itself: as we see not only in the breeds of horses and other animals, but also in trees, the shoots of which nearly always resemble the trunk; and if they sometimes degenerate, it arises from poor cultivation. And so it is with men, who if rightly trained are nearly always like those from whom they spring, and often better; but if there be no one to give them proper care, they become like savages and never reach perfection….

I,24: “If I remember rightly, Sir Count, I think you have repeated several times this evening that the Courtier must accompany his actions, gestures, habits, in short his every movement, with grace….I long to know by what art, by what training, by what method, they can acquire this grace, as well in bodily exercises (in which you esteem it to be so necessary) as also in everything else that they may do or say….

I, 26:”Therefore he who wishes to be a good pupil, besides performing his task well, must put forth every effort to resemble his master, and, if it were possible, to transform himself into his master. And when he feels that he has made some progress, it will be very profitable to observe different men of the same calling and governing himself with that good judgement which must ever be his guide, to go about selecting now this thing from one and that thing from another. And as the bee in the green meadows is ever wont to rob the flowers among the grass, so our Courtier must steal this grace from all who seem to possess it….

“But before now often considered whence this grace springs, laying aside those men who have it by nature, I find one universal rule concerning it, which seems to me worth more in this matter than any other in all things human that are done or said: and that is to avoid affectation to the uttermost and as it were a very sharp and dangerous rock; and, to use possibly a new word, to practise in everything a certain nonchalance [sprezzatura] that shall conceal design and show that what is done and said is done without effort and almost without thought. From this I believe grace is in large measure derived, because everyone knows the difficulty of those things that are rare and done well, and therefore facility in them excites the highest admiration; while on the other hand, to stive and as the saying is to drag by the hair, is extremely ungraceful, and makes us esteem eveything slightly, however great it be.

“Accordingly we may affirm that to be true art which does not appear to be art; nor to anything must we give greater care than to conceal art, for it is discovered, it quite destroys our credit and brings us into small esteem….

I. 28…”You see then,” replied the Count, “the harmful effect of affectation in this as in other things. It is said also to have been proverbial among some very excellent painters of antiquity, that over diligence is harmful, and Protogenes is said to have been censured by Apelles because he did not know when to take his hand from the tablet….